Indian fashion in the 21st century has become a story of designers who took traditional craft to global runways and international retailers who set up shop across Indian malls and high streets. From bridal couture rooted in centuries-old embroidery techniques to fast fashion racks stocked with European labels, the last two decades have reshaped how India dresses and how the world sees Indian design. Here’s a closer look at the designers and brands driving this transformation.

Table of Contents

Sabyasachi Mukherjee: King of Indian wedding fashion

Sabyasachi Mukherjee trained at the National Institute of Fashion Technology before building what is today considered one of India’s most influential design houses. His work is instantly recognisable: heavy use of traditional Indian textiles, intricate hand embroidery, and a visual language that feels both old-world and distinct from anything else on the runway.

His costume work for the Bollywood film Black earned him the National Award for Best Costume Design in 2005, a milestone that established him as a serious name beyond bridal wear. Over the years, he has also designed costumes for several other Hindi films, adding a cinematic dimension to his fashion career.

Save The Sari and craft revival

Beyond the runway, Mukherjee has been vocal about protecting India’s handloom heritage. He launched the Save The Sari project, retailing hand-woven saris and channelling proceeds back to weaver communities, with the stated goal of making Indians more aware of the country’s own textile resources. The initiative has since grown into a broader craft-preservation effort: Mukherjee’s house employs over 3,000 craftsmen across craft clusters spanning states including Kashmir, West Bengal, Rajasthan and Tamil Nadu.

What started as a fashion label has since expanded well beyond clothing. The Sabyasachi brand today extends into wedding jewellery, lifestyle products and even interior design collaborations, reflecting a shift among top Indian designers from being pure fashion houses to full lifestyle brands.

Manish Arora: India’s colour ambassador on global runways

If Sabyasachi represents heritage-rooted luxury, Manish Arora represents the maximalist, avant-garde side of Indian design. An alumnus of NIFT Delhi, Arora launched his namesake label in 1997 after graduating and taking part in India’s first-ever fashion week.

Arora’s international breakthrough came through a series of firsts. He made his international debut in London in 2005 and began showing at Paris Fashion Week in 2007, becoming one of the earliest Indian designers to consistently show on that calendar. His standing in French fashion circles grew further when he was inducted into the Chambre Syndicale du Prรชt-ร -Porter des Couturiers in 2009, a body that governs French ready-to-wear fashion.

Creative director at Paco Rabanne

In one of the most significant appointments for an Indian designer at a European house, Arora was named creative director of Paco Rabanne in early 2011, taking charge of the French label’s womenswear line. He remains widely recognised on the global stage, having been featured among the world’s most influential designers on the Business of Fashion 500 list, which tracks the people shaping the global fashion industry.

Rahul Mishra: The International Woolmark Award winner

Rahul Mishra’s path into fashion is unusual: he studied physics before pursuing apparel design at the National Institute of Design, Ahmedabad. That grounding in craft and material science shows in his work, which is built around sustainable, hand-embroidered textiles.

Mishra’s defining moment came in 2014, when he became the first Indian designer to win the International Woolmark Prize, an award with a history of honouring designers such as Karl Lagerfeld and Yves Saint Laurent. The recognition placed him firmly on the international map; he was soon named to the Business of Fashion 500, and remains, as of writing, the only Indian designer to have won the Woolmark Prize.

A regular at global fashion weeks

Mishra began showing at Paris Fashion Week from 2015, and has gone on to present collections at fashion weeks in London, Dubai and Australia as well. He later became the first Indian designer to be invited to showcase at Paris Haute Couture Week, cementing his position among a small group of non-European names on that exclusive calendar.

Gaurav Gupta: Sculptural couture with international acclaim

Gaurav Gupta studied at NIFT Delhi before heading to Central Saint Martins in London, one of the world’s most respected fashion schools. His graduate collection there earned him “The Future of Couture” trophy at Rome Couture Fashion Week, an early sign of the direction his career would take.

Gupta’s design language, described as sculptural and future-facing, was shaped in part by his time working with British avant-garde designer Hussein Chalayan following his graduate collection. This experience fed directly into the construction-heavy, form-driven aesthetic that now defines his eponymous label. His early work also drew attention outside India, with his collections debuting in markets such as Japan and Russia alongside his home launch at India Fashion Week.

Global fashion brands making India home

While Indian designers were building international reputations, the reverse movement was also underway: international fashion retailers steadily entering the Indian market. Fast fashion names such as H&M from Sweden, Zara and Mango from Spain, Forever 21 from the United States, Vero Moda from Denmark, and Promod from France have all built a visible retail presence across Indian cities, tapping into a young, increasingly brand-aware consumer base.

This is not a one-time wave but a continuing trend. Market analysis has pointed to over 300 new stores from international brands expected in India in the years ahead, and more recent industry tracking shows the pace accelerating further. 27 global brands entered the Indian market in 2024 alone, nearly double the pre-pandemic average, according to data cited by the India Brand Equity Foundation.

Why India is attractive to international retailers

The appeal is straightforward: a large, young population with rising disposable incomes and growing exposure to global trends through social media and e-commerce. As consumption slows in more saturated markets like Europe, the United States and China, brands are increasingly viewing India’s expanding middle class as one of the few genuine growth stories left in global retail. This has pushed several international names to move beyond simple retail partnerships and explore local manufacturing to serve Indian demand more efficiently.

Together, these two forces, homegrown couturiers earning global recognition and international brands setting up in India, sum up what makes 21st century Indian fashion distinct. It is no longer a closed, domestic industry looking outward for validation. It is an industry that exports talent to Paris and London runways while importing global retail formats to its own high streets, often at the same time.

What do you think? Do you think Indian designers like Sabyasachi and Rahul Mishra have succeeded globally by staying rooted in Indian craft, or by adapting to international tastes? And as more global brands enter India, will they end up shaping Indian fashion trends, or will Indian consumers push these brands to adapt to local preferences instead?

How useful was this post?

Click on a star to rate it!

Average rating 0 / 5. Vote count: 0

No votes so far! Be the first to rate this post.

We are sorry that this post was not useful for you!

Let us improve this post!

Tell us how we can improve this post?

References
  1. https://www.thenationalnews.com/lifestyle/the-sari-warrior-1.459420
  2. https://www.borderandfall.com/karigar/designer-sabyasachi-mukherjee-craft/
  3. https://fdci.org/member/sabyasachi-mukherjee/
  4. https://fashionexhibitionmaking.arts.ac.uk/manish-arora-exhibition-life-is-beautiful/
  5. https://www.businessoffashion.com/people/manish-arora/
  6. https://en.wikipedia.org/wiki/Rahul_Mishra
  7. https://www.businessoffashion.com/people/rahul-mishra/
  8. https://www.khaleejtimes.com/lifestyle/fashion/rahul-mishra-how-he-won-the-west
  9. http://beopenfuture.com/community/gaurav-gupta/
  10. https://fdci.org/participant/gaurav-gupta-15/
  11. https://www.iiad.edu.in/the-circle/international-fashion-and-india/
  12. https://www.ibef.org/news/the-world-s-top-fashion-brands-are-redrawing-their-maps-around-india

Comments

Leave a Reply

Your email address will not be published. Required fields are marked *

Fundamentals of Fashion Design

1 Theories and functions of clothing

  1. Modesty Theory
  2. Immodesty Theory
  3. Adornment Theory
  4. Protection Theory
  5. Protection and Comfort Function
  6. Identity Function
  7. Status and Prestige Function
  8. Ornamental and Aesthetic Function
  9. Sociability and Conformity Function
  10. Self-expression and Actualisation Function

2 Overview of traditional costumes of India

  1. Pre- Historic Period
  2. Indus Valley Civilization 2300-1700 Bce
  3. Vedic Period (1200-600 BCE)
  4. Post-vedic Period (600-323 BCE)
  5. Maurya and Sunga Period, 321-72 B.c.e
  6. Religious Clothing – Jainism and Buddhism
  7. Gupta Period (C.320 CE – 550 CE)
  8. The Southern Kingdoms
  9. Vijayanagar Empire (c.1336 CE – 1565 CE)
  10. Wodeyar of Mysore (1578 CE to 1947 CE)
  11. The Marathas
  12. The Rajputs

3 Evolution of Indian fashion during 20th and 21st century

  1. Foreign Influences on Indian Clothing
  2. Fashion in the Royal Families of India
  3. Clothing for Indian Populace
  4. Khadi and India’s Nationalist Struggle
  5. Indian Cinema and Fashion
  6. Iconic Fashion Trends Inspired from Hindi Cinema
  7. Indian Fashion Designers
  8. Fashion Design Council of India
  9. Indian Fashion in 21st Century

4 Overview of world costumes

  1. Costumes of the Far East
  2. Japan
  3. China
  4. Korea
  5. Thailand
  6. Costumes of the African Continent
  7. Nigeria
  8. Ethiopia
  9. Costumes of Europe
  10. United Kingdom
  11. Scandinavian Countries

5 Elements of design

  1. Point and Dot
  2. Lines
  3. Shape
  4. Form
  5. Texture
  6. Space
  7. Colour
  8. Colour Theory
  9. Colour Harmony

6 Principles of design

  1. Balance
  2. Proportion
  3. Rhythm
  4. Repetition
  5. Gradation
  6. Radiation
  7. Emphasis
  8. Harmony

7 Fashion concepts

  1. What is Fashion
  2. Basic Fashion Terminology
  3. Fashion Business
  4. Fashion Consumers
  5. Why Fashion Changes
  6. Fashion Cycle
  7. Cycle Within Cycle
  8. Theories of Fashion Change

8 Introduction to MS Office-MS word

  1. Basics of Microsoft Word
  2. Editing a Document
  3. Formatting Toolbar
  4. Saving a Document
  5. Print a Document
  6. Inserting an Image
  7. Inserting Objects and Embedded Objects
  8. Page Design and Document Management
  9. Creating Table
  10. Mail Merge
  11. Tracking Changes with Microsoft Word

9 Introduction to MS Excel and MS Power Point

  1. Creating a New Presentations
  2. Opening a Presentation
  3. Different kinds of Power Point Views
  4. Working With Slides
  5. Insert notes to the Presentation
  6. Animation and Show
  7. Insert Images and Files
  8. Saving and Printing Presentations
  9. Uploading your Zipped Archive to Blackboard

10 Web based technologies

  1. Internet
  2. Advantages of Internet
  3. Internet Components
  4. Internet Addresses
  5. Lets Connect to Internet
  6. Concept of Client/Server computing and web Servers
  7. What is web Browser?
  8. Search Engine
  9. E-Mail